Performances
2023
* Lament (for violin, electronic sound, musique concrète and video). Virtual concert at https://www.youtube.com/watch?v=6V1ge_uJkso
* Intersegmental 38: 8282/38 (for soprano and guitar), An die Musik LIVE!, Baltimore, Maryland.
* Intersegmental 38: Back (for gayageum, guitar and piano), An die Musik LIVE!, Baltimore, Maryland
* Let It Be Said: Awake, Thanks!, Subliminal (for female and male performers, clarinet in A and vibraphone) Le Mondo, Baltimore, Maryland. (2 performances)
* Let It Be Said: Awake, Thanks!, Subliminal (for female and male performers, clarinet in A and vibraphone) The Writer's Center, Bethesda, Maryland.
2021- 2022
* Ceci n'est pas une pipe - Revisited (for flute and palimpsest of texts in English, Serbian and German). Pre-recorded media, Slobodanka Stupar and Ljiljana Becker, narrators. Partial text from Blue Rose by Miroslav Mandić. Virtual Concert at www.baltimorecomposersforum.com/concerts/miniatures-take-two
* Ceci n'est pas une pipe - Revisited (for flute and palimpsest of texts in English, Serbian and German). Pre-recorded media, Slobodanka Stupar and Ljiljana Becker, narrators. Partial text from Blue Rose by Miroslav Mandić. Goethe-Institut Belgrade, Wechselstube Galerie, Knez Mihailova 50, Belgrade, Serbia.
* Yellow Rose: Intro for Boba (for solo flute). Pre-recorded media. Goethe-Institut Belgrade, Wechselstube Galerie, Knez Mihailova 50, Belgrade, Serbia.
* John Dory (for solo viola). Kimia Hesabi, viola. Virtual concert at www.baltimorecomposersforum.com/concerts/i-want-to-be-left-alone
* My Suitcase (for mezzo soprano, baritone, and piano) Text by Juanita Rockwell. Elise Christina Jenkins, mezzo soprano, Jason Buckwalter, baritone, Bonghee Lee, piano. Virtual concert at www.baltimorecomposersforum.com/concerts/sonitus
* All Around (excerpt) {part V of Migrations}(for one performer, violin, clarinet, and piano). Commissioned and performed by Trio Musai (Annette Maye, clarinet, Malina Mantcheva, violin and Dušica Cajlan-Wissel, piano) and Hannah Niewand, performer. Virtual concert at www.baltimorecomposersforum.com/concerts/vignettes
2019- 2020
* White Noise (pre-recorded text, electronic sound, musique concrète and sound effects) Choreography by Adrienne Kraus Latanishen. Anastasia McKenzie, Nasir Powell and the CCBC Fall 2020 Improv Class, dance.
Virtual concert at www.baltimorecomposersforum.com/concerts/sound-in-motion-vi
* B(rushed) Moment (for children voices, electric toothbrush, and video).
Sasha, Mila and Ljiljana Becker, voices. Videography by Ljiljana Becker.
Virtual concert at www.baltimorecomposersforum.com/concerts/miniatures-concert
* Memory (for oboe, one dancer, and three mothers). Text by E. Alex Pierce. Chris Roberts, Melissa Lindon and Ljiljana Becker, narrators. Choreography and dance Adrienne Kraus Latanishen. St. Matthew Catholic Church, Baltimore, Maryland.
* The Suitcase/Der Koffer (Lament, ...deswegen, weil, White Noise, My Suitcase for mezzo soprano/performer, alto saxophone, piano, pre-recorded text, electronic sound, musique concrète, and sound effects). Libretto by Juanita Rockwell. Scenography and puppets by Allison Campbell. Chris Roberts, mezzo soprano and Duo Crveno (Georg Wissel, alto sax and Dušica Cajlan-Wissel, piano). Children readers: Anastasia Anastasopoulu, Sasha and Mila Becker, Ekaterina Gozhelova, Sophie Levine, Minja and Viktor Luković, John and James Wentzel, Tara and Luka Wissel. Towson University, Dreyer MFA Group Studio, Towson, MD; REP Stage, Monteabaro Recital Hall, Columbia, MD; An die Musik LIVE!, Baltimore, MD; Georgetown Day School, High School Campus, Washington, DC; Howard University, Childers Recital Hall, Washington, DC.
* Modi'in {part I}(for two dancers) Choreography by Adrienne Kraus Latanishen. Adrienne Kraus Latanishen and Maya Hand, dancers. Pre recorded sound. District New Music Coalition's New Music DC 2019, Washington, DC.
2017 - 2018
* Shelter within a Shelter {part IV of Migrations} (for two dancers, Glockenspiel, musique concréte, and electronic sound). Choreography by Adrienne Kraus Latanishen. Adrienne Kraus Latanishen and Molly Jean Kirkup Heer, dancers. St. Matthew Catholic Church, Baltimore, Maryland.
* TBD [Moving Macbeth] (for piano and text). Text by Ljiljana Jovanović. Bonghee Lee, piano. Corner Community Center, Baltimore, Maryland.
* Memory (orchestral version for oboe and one narrator). Text by E. Alex Pierce. Emily Snyder, oboe and Brooke Emery, narrator. Christ Lutheran Church Inner Harbor, Baltimore, Maryland.
* Music Director and pianist for Cabaret [revival 1988], directed by Julie Herber. Inscape Theatre, Greenspring Campus at Stevenson University, Stevenson, Maryland.
* John Dory (solo violin). Heather Haughn, violin. Christ Lutheran Church Inner Harbor, Baltimore, Maryland.
* Modi'in (abstract radiophonic form). Third Program Radio Belgrade, Serbia.
2015 - 2016
* Cycles (orchestral version for tenor and piano). Joseph Regan, tenor and Tim Reynolds, piano. Christ Lutheran Church Inner Harbor, Baltimore, Maryland.
* A Trailer (for brass quintet). The Lyric Brass Quintet (Kevin Dines, trumpet, Christopher Shiley, trumpet, Larry Williams, French horn, Milton Aldana, trombone and Andrew Spang, tuba). An die Musik, Baltimore, Maryland.
* Marimba Hike (for marimba). Steven Monath, marimba. An die Musik, Baltimore, Maryland.
* Participant in New Roots, documentary, directed by Exsul Van Helden.
2013 - 2014
* Memory (orchestral version for oboe, one performer, one mother. and three kōken). Text by E. Alex Pierce, directed by Chris Roberts. Emily Snyder, oboe, Anna and Kelly Llobet, performers and Rodolfo and Ignatius Llobet, kõken. An die Musik, Baltimore, Maryland
* Shelter within a Shelter {part IV of Migrations} (orchestral version for Glockenspiel, musique concréte, and electronic sound). Chris Graham, Glockenspiel (Iktus Percussion). An die Musik, Baltimore, Maryland.
* Memory (for oboe, two dancers, and three mothers). Text by E. Alex Pierce, choreography by Lauren Withhart. Adrienne Kraus Latanishen and Anna Llobet, dancers; Kelly Llobet, Lauren Withhart and Ljiljana Jovanović, narrators and Alison Lowell, oboe. EMP, Baltimore, Maryland.
* All Around {part V of Migrations}(for one performer, violin, clarinet, and piano). Commissioned and performed by Trio Musai (Annette Maye, clarinet, Malina Mantcheva, violin and Dušica Cajlan-Wissel, piano) and Anna Llobet, performer. Lobby of the Inscape Theatre, Stevenson University, Stevenson, Maryland.
* All Around {part V of Migrations}(for one performer, violin, clarinet, and piano). Commissioned and performed by Trio Musai (Annette Maye, clarinet, Malina Mantcheva, violin and Dušica Cajlan-Wissel, piano) and Anna Llobet, performer. An die Musik, Baltimore, Maryland.
* All Around {part V of Migrations} (for one performer, violin, clarinet, and piano), Commissioned and performed by Trio Musai (Annette Maye, clarinet, Malina Mantcheva, violin and Dušica Cajlan-Wissel, piano) and Ljiljana Jovanović, performer. Childers Recital Hall, Howard University, Washington D.C.
* Sarkoy (for soprano saxophone and harp). Pictures on Silence duo (Jacqueline Polauf, harp and Noah Getz, sax). An die Musik, Baltimore, Maryland. [two performances 2013/14]
* TBD [Moving Macbeth] (for piano and text). Commissioned and performed by Ruth Rose. Text by Ljiljana Jovanović. An die Musik, Baltimore, Maryland.
* Triptych {part II of Migrations} (for clarinet quartet and percussion). Commissioned and performed by Sonora Ensemble (Lynda Dembowski, E-flat and B-flat clarinet, Edna Huang, B-flat clarinet, Karen Hopkinson, B-flat and bass clarinet, Greg Herron, percussion). Visual design in partial collaboration with visual artist Slobodanka Stupar. An die Musik, Baltimore, Maryland.
2011 - 2012
* TBD [Moving Macbeth] (for piano and text). Commissioned and performed by Ruth Rose. Text by Ljiljana Jovanović. An die Musik, Baltimore, Maryland.
* All Around {part V of Migrations}(for one performer, violin, clarinet, and piano). Commissioned and performed by Trio Musai (Annette Maye, clarinet, Malina Mantcheva, violin and Dušica Cajlan-Wissel, piano) and Hanna Wissel, performer. Musica Nova, Spendhaus, Reutlingen, Germany.
* Le (deuxieme) rêve (for six dancers, two performers, text, musique concréte, and electronic sound), choreography by Lynne Price. Text by Ljiljana Jovanović. Rachel Boss, Brittany Grant, Clarissa Gregory, Melissa Talleda, Erin Reid and Lily Susskind, dancers and Lynne Price and Rodolfo Llobet, performers. Theatre Project, Baltimore, Maryland.
* Cycles (orchestral version for baritone, piano, and percussion). Jason Buckwalter, baritone and Andrew Stewart, piano and percussion. Ennoch Pratt Parish Hall, Baltimore, Maryland.
* Ένα φραπέ σκέτο λίγο γάλα (for baritone/narrator and pianist/performer), text in collaboration with Anna Maria Delinasiou. Jason Buckwalter, baritone and Andrew Stewart, piano. Ennoch Pratt Parish Hall, Baltimore, Maryland.
* Illumina (for flute and piano), lyrics Donna genovese (Dino Campana) and Изгряла е месечинка (The Moon Has Risen) Bulgarian folk song. Andrea Ceccomori, flute and Elitza Harbova, piano. An die Musik, Baltimore, Maryland.
2009 - 2010
* Ένα φραπέ σκέτο λίγο γάλα (for baritone/narrator and pianist/performer), text in collaboration with Anna Maria Delinasiou. Jason Buckwalter, baritone and Andrew Stewart, piano. An die Musik, Baltimore, Maryland.
* Le rêve (for three dancers, one performer, musique concréte, and electronic sound), choreography by Lynne Price. Rachel Boss, Camille Lattimore and Lily Susskind, dancers and Chris Reed, performer. Free Fall Baltimore Festival. The Creative Alliance at the Patterson, Baltimore, Maryland.
* All Around {part V of Migrations} (for one performer, violin, clarinet, and piano). Commissioned and performed by Trio Musai (Annette Maye, clarinet, Malina Mantcheva, violin and Dušica Cajlan-Wissel, piano) and Ljiljana Jovanović, performer. Musik Triennale Köln: "HEIMAT - HEIMATLOS" . KOMED-Saal, Cologne, Germany; Trio Musai and Hanna Wissel, performer. Gedok, Köln, Klaviere Then, Cologne, Germany.
* Of Chance and Happenstance (for four dancers, percussion, el. guitar, and narrated texts), collaboration with composer Keith Kramer, choreography by Lynne Price. Melissa Talleda, Lily Susskind, Jenny Berkowitz and Jenny Lucy, dancers and Ljiljana Jovanović (piano) and Keith Kramer (el. guitar), narrators. Load of Fun Theatre (LOF/t), Baltimore, Maryland.
* Music Director and pianist for Once Upon a Mattress, directed by Chris Roberts. Inscape Theatre, Stevenson University, Stevenson, Maryland.
* Sarkoy (for soprano saxophone, and harp). Commissioned and performed by Pictures on Silence duo (Jacqueline Pollauf, harp and Noah Getz, saxophone). An die Musik, Baltimore., Maryland.
* Of Chance and Happenstance (for four dancers, piano, percussion, guitar, horn, and synthesizer), collaboration with composers Keith Kramer and Ariyo Shahry, choreography by Lynne Price. Melissa Talleda, Lily Susskind, Jenny Berkowitz and Jenny Lucy, dancers; Ljiljana Jovanović, piano and percussion, Keith Kramer, el. guitar and Ariyo Shahry, French horn and synthesizer. Free Fall Baltimore Festival. Baltimore Museum of Art, Baltimore, Maryland.
* Clean Sound (for piano) Ljiljana Jovanović, piano. Free Fall Baltimore Festival. Baltimore Museum of Art, Baltimore, Maryland.
* Music Director and pianist for The Threepenny Opera, directed by Chris Roberts. Inscape Theatre, Stevenson University, Stevenson, Maryland.
* Cycles (for two dancers, soprano, piano, and percussion), choreography by Sonia Synkowski. Sarah Anne Austin and Lauren Withhart, dancers and Kelly Fuller, soprano and Ljiljana Jovanović, piano. The Creative Alliance at the Patterson, Baltimore, Maryland.
* Shelter within a Shelter {part IV of Migrations} (for two dancers, Glockenspiel, musique concréte, and electronic sound), choreography by Sonia Synkowski. Jessica Fultz and Stacey Tutler, dancers and Greg Herron, Glockenspiel. The Creative Alliance at the Patterson, Baltimore, Maryland.
2007 - 2008
* Shelter within a Shelter {part IV of Migrations} (for two dancers, Glockenspiel, musique concréte, and electronic sound), choreography by Sonia Synkowski. Amanda Fair and Stacey Tytler, dancers and Greg Herron, Glockenspiel. Free Fall Baltimore Festival. Baltimore Museum of Art, Baltimore, Maryland.
* Music Director and pianist for Cabaret, directed by Chris Roberts. Inscape Theatre, Villa Julie College, Stevenson, Maryland.
* Triptych {part II of Migrations} (for clarinet quartet and percussion). Commissioned and performed by Sonora Ensemble (Benjamin Redwine, E-flat clarinet, Edna Huang and Lynda Dembowski, B-flat clarinets, Phyllis Crossen-Richardson, bass clarinet and Greg Herron, percussion). Visual design in partial collaboration with visual artist Slobodanka Stupar. An die Musik, Baltimore, Maryland.
* Music Director and pianist for Oh! What a Lovely War, directed by Chris Roberts. Inscape Theatre, Stevenson University, Stevenson, Maryland.
2005 - 2006
* The Fifth Mirror {part III of Migrations as well as the final, fifth part of The Mirror} (for one performer and electronic sound). Ljiljana Jovanović, performer. An die Musik, Baltimore, Maryland.
* Triptych {part II of Migrations} (for clarinet quartet and percussion). Commissioned and performed by Sonora Ensemble (Benjamin Redwine, E-flat clarinet, Edna Huang and Lynda Dembowski, B-flat clarinets, Phyllis Crossen-Richardson, bass clarinet and Greg Herron, percussion). Visual design in partial collaboration with visual artist Slobodanka Stupar. Ars Viva Concert Series, Goucher College, Baltimore, Maryland.
* Tritonus {part I of Migrations} (for two [narrators/Tritonus] performers, percussion, piano, and string trio), in collaboration with the composer Stephen Makofski. Anna Maria Delinasiou and Ljiljana Jovanović, performers, Joanna Dabrowska, percussion, Kyoko Fujiwara, piano, Letitia Nyirjesy, violin, Louise Hildreth-Grasso, viola and Erika Bubnash, cello. An die Musik, Baltimore, Maryland.
2003 - 2004
* A Fraction Before, (text) commissioned by Stephen Makofski as part of his music score for American Symphonic Clarinet Choir. Montgomery Station Performance Hall, Silver Spring, Maryland.
* A Fraction Before (text) commissioned by Stephen Makofski as part of his music score for American Symphonic Clarinet Choir. An die Musik, Baltimore, Maryland.
* Musical Director and pianist for Working, directed by Mary Hardcastle. Inscape Theatre, Stevenson University, Stevenson, Maryland.
* Original music for Movin' Macbeth, Avalon Theatre of e/Motion production, adapted, directed and choreographed by Andrew T. Carter. Regina Contursi, Laura Walczak and Chrisa Yfantopoulos, vocalists, John Dresher, percussion and Ljiljana Jovanović, piano. HERE Arts Center, New York.
* About Descends (text) commissioned by Stephen Makofski as part of his music score commissioned by The Arioso Trio. The Creative Alliance, Baltimore, Maryland.
* Sound design for The Green Stockings, Tsunami Theatre production, directed by Naoko Maeshiba. Bethesda Writers Center, Bethesda, Maryland.
* Recording pianist for The Dazzle, Rep Stage production, sound design by Chas Marsh. Rep Stage, Columbia, Maryland.
* Original music for Munch 'n Macbeth, Avalon Theatre of e/Motion production, directed and choreographed by Andrew T. Carter. Ljiljana Jovanović, piano. Potomac Lounge/Susquehanna Cafeteria, Towson University, Towson, Maryland.
* See, Enjoy, Continue (for violin and guitar). Heide Sibley, violin. La Cave, Le Mans, France.
2001 - 2002
* Running Music (conceptual three-part installation performance for five narrators/performers and piano). Eddie Catto, Gabriel Walker, Matthew Sahr, Andrew Carter and Ljiljana Jovanović (piano) narrators. Center for the Arts, Towson University, Towson, Maryland.
* Original music for The Yellow Wallpaper, adapted and directed by Chris Roberts. Inscape Theatre, Stevenson University, Stevenson, Maryland.
* Original music for Domestic Violence, first chapter of a web based project The Baltimore Book of the Dead, collaboration with theatre artist Edie Catto. (as of 2004 web site not available)
* Sound design for The Agreement, O3P production, directed by mj Perrin. Studio Theatre, Towson University, Towson, Maryland.
* Participant in Women Between Worlds, multi-disciplinary and multi-cultural documentary, directed by Exsul Van Helden. Stevenson University [former Villa Julie College] and Sky Productions. (http://wbw.vjc.edu/ljiljana.htm)
* Original music for Indians, directed by John Manlove. Main Stage, Towson University, Towson, Maryland.
1998 - 2000
* Bread, Salt and Basil (for violin and electronic keyboard), William Elsevier, violin and Ljiljana Jovanović, electronic keyboard. Visual images by Dominique Pelletey, scenography by Edie Catto, and lighting design by Mark Fink. Center for the Arts, Towson University, Towson, Maryland.
* Sound accompaniment for Forlorn (for flute) by Stephen Makofski. Center for the Arts, Towson University, Towson, Maryland.
* Original music for Persistence of Vision, written and directed by Tom Brandau. Studio Theatre, Towson University, Towson, Maryland.
* Sound design for Queer Cafe 2000 and Bad Beans, Pussycat Theatre Company productions, both directed by Susan Lev. Theatre Project Baltimore, Baltimore, Maryland.
*Participant in making of Heartfield web site. (www.towson.edu/heartfield/reviews/Jovanovi.html)
* Brain in Waiting (for two narrators, flute, three violins, and piano), narrative collaboration with writer Alex Pierce. Rachel Podger and Philippe Bodin, narrators, Sarah Bastin, flute, Heide Sibley, Rebecca van der Post and Julia Wedman, violins and Laura Csik, piano. Rice Studio and The Rolston Hall, The Banff Centre for the Arts, Banff, Canada.
* Snake Cake (six parts for violoncello). Carina Reeves, cello. The Club, The Banff Center for the Arts, Banff; Monica Scott, cello. Community Music Center, San Francisco, California.
* Rare Fish (for violin). Rebecca van der Post, violin. The Club, The Banff Center for the Arts, Banff, Canada.
* The Game (for violin, cello, and piano). Julia Wedman, violin, Alexa Muhly, cello and Sarah Hagen, piano. The Club, The Banff Center for the Arts, Banff, Canada.
1996 - 1997
* A Cage (for violin and harp). Heide Sibley, violin and Stéphanie Manzo, harp. Museu do Chiado, Lisbon; Salão Nobre da Faculdade de Economia, Lisbon; Palácio do Beau Séjour, Lisbon; Museu da Música, Lisbon; Audit. Bombeiros Voluntários, Pinhal-Novo; Museu Condes Castro Guimarães, Cascais. (all in Portugal)
* Silent Mirror {part IV of The Mirror} (for one performer and tape). Ljiljana Jovanović, performer. Art Cafe "Galerija", Novi Sad, Serbia.
* Der Spiegel/Circled Square {part III of The Mirror} (for two performers and tape). Dušica Cajlan-Wissel and Petar Marinović, performers. Büro für Architektur und Plannung, Witten, Germany.
* Five Photographs (for violin and violoncello). Heide Sibley, violin and Monica Scott, cello. Palácio do Beau Séjour, Lisbon; Galeria de S. Mamede, Lisbon; Auditorio do Montepio, Lisbon; Espaço Oikos, Lisbon; Galeria Verney-Oeiras, Lisbon; Museu Condes Castro Guimarães, Cascais. (all in Portugal)
1994 - 1995
* The Game (for violin, violoncello, and piano). Rebecca van der Post, violin, Jozef Luptak, cello and Maria Antonia Garcia, piano. Holywell Music Room, Oxford, England.
* Participant in The Creator ("pro-active, mentoring and cross-cultural" TV program profiling Women in the Arts), CreateHer Productions Inc., WTN 1995/96 season. Vancouver, British Columbia, Canada.
* Piano transcription of children's opera Expedition zur Erde by Bernhard König. Hans Otto Theater, Potsdam, Germany.
* Zoe 1, 2 (for two narrators, oboe, guitar, and contrabass). Živojin Maksimović and Sonja Maksić, narrators, Vesna Jakimovski, oboe, Ceca Madžarević, guitar and Thomas Siebenkotten, double bass. Rathaus-Spanischer Bau, Cologne, Germany.
* Square Circle (video archive of 1994 Banff performances). Rathaus-Spanischer Bau, Cologne, Germany.
* Der Spiegel {part II of The Mirror} (for two performers and tape). Slobodanka Stupar and Ljiljana Jovanović, performers. Simultan Halle, Cologne, Germany.
* Vavilon (for five narrators [nine languages], piano, and guitar). Gena Lvov (piano), Ela Sobańska, Georg Wissel, Tatjana Kukoč (guitar) and Ljiljana Jovanović, narrators. Loft, Cologne, Germany.
* ...deswegen, weil... (for one performer and soprano sax/violin). Dušica Cajlan, performer and Georg Wissel, soprano sax. Loft, Cologne, Germany; Maria Antonia Garcia, performer and Thomas Norris, violin. Margaret Greenham Theatre, Banff Center for Arts and Creativity, Banff, Canada.
* Denken an P (for piano). Dušica Cajlan, piano. Loft, Cologne, Germany.
* Some of the Steps A, B (for guitar trio). Commissioned and performed by Trio de Cologne. (Laura Young, Zoran Dukić and Ceca Madžarević). Loft, Cologne, Germany and Montreal, London, Toronto, Ottawa, Canada. (broadcasted by CBS)
* Babylon (for six narrators [eleven languages], harpsichord, violoncello, kalimba, and Japanese bell). Pavel Matys (harpsichord), Monica Scott (cello), Hasse Örn (kalimba), Elsa Lee (Japanese bell), Laurent Perrin and Ljiljana Jovanović, narrators. Margaret Greenham Theatre, Banff Center for Arts and Creativity, Banff, Canada.
* The Rare Fish (for violin). Rebecca van der Post, violin. The Other Gallery, Banff Center for Arts and Creativity, Banff, Canada.
* The Mirror {part I of The Mirror} (for one performer and tape). Heide Sibley, performer. The Other Gallery, Banff Center for Arts and Creativity, Banff, Canada.
* Marimba Hike (for marimba). Elsa Lee, marimba. The Other Gallery, Banff Center for Arts and Creativity, Banff, Canada.
* Five O'clock Tea (for two performers and trombone). Isobel Rolston and Anne-Gaelle Ravetto, performers, Douglas Mark, trombone. Roubakine Hall, Banff Center for Arts and Creativity, Banff, Canada.
* In an Old-Fashioned Style (for violoncello). Jozef Luptak, cello and Ljiljana Jovanović, cello. Roubakine Hall, Banff Center for Arts and Creativity, Banff, Canada.
1992-1993
* Zoe 1, 2 (for two narrators, oboe, guitar, and contrabass). Živojin Maksimović and Sonja Maksić, narrators, Vesna Jakimovski, oboe, Ceca Madžarević, guitar and Thomas Siebenkotten, double bass. Rheinische Musikhochschule, Cologne, Germany.
* Ceci n'est pas une pipe (communication project - live talk with the viewers, improvisational narration and excerpts from Miroslav Mandić's book Blue Rose), collaboration with visual artist Slobodanka Stupar. Quantenpool Köln part of Documenta IX 's Piazza Virtuale TV project, live transmission on TV Kassel and 3sat. Moltkerei Werkstatt, Cologne, Germany.
1989-1991
* A Ballett Lesson? (for two dancers, bass clarinet, and piano), Peter Jürgens and Robert Schmidt, dancers, Olaf Bittner, bass clarinet and Sybile Strate, piano. Choreography by Phong Bui. Komponieren Heute - Avangarde versus Postmoderne part of Rheinisches Musikfest. Rheinische Musikhochschule Cologne recorded by WDR Rundfunk; Hochschule für Musik Hanns Eisler, Berlin; Koninklijk Conservatorium, Den Haag, Holland.
* Mondrian pour étude (for three performers, viola, trumpet, conga, guitar, and soprano). Ina von Dreusche, Gabriele Moes, Corinna Vogel, performers, Panta Veličković, viola, Andreas Form, trumpet, Martin Piechotta, conga, Oliver Kresse, guitar and Sonja Maksić, soprano. Lighting by Bettina Klinkig. Rheinische Musikhochschule, Cologne, Germany
* Denken an P (for piano). Ljiljana Jovanović, piano. Rheinische Musikhochschule, Cologne; Schloss Warneck; Musikzentrum Würzburg; Musikschule Obenburg. (all in Germany)
* Time Connections (for violin, bassoon, piano, and musique concrète). Uli Müller-Bechtel, violin, Johannes Rupe, bassoon and Ljiljana Jovanović, piano. Rheinische Musikhochschule, Cologne; Christoph Eßwein, violin, Stefan Hüfner, bassoon and Ljiljana Jovanović, piano. Hochschule für Bildende Künste, Stuttgart, Germany.
* Gate of the East (for celeste, harp, and four percussion instruments). Ljiljana Jovanović, celeste, Günda Schulz, harp, and Percussion Ensemble Stuttgart under the baton of Klaus Treßelt. Musica Nova concert part of 2. Tonkünstlerfest Baden-Würtemberg. Studio Landesgirokasse, Stuttgart, Germany
1984-1988
* Piano Sonatina Dušica Cajlan, piano. Student Centre Budo Tomović, Podgorica (former Titograd), Montenegro.
* Silentio e parole (for soprano and piano). Ljiljana Antonijević, soprano and Ljiljana Jovanović, piano. Student Centre Budo Tomović, Podgorica (former Titograd), Montenegro.
* Viola Sonata Sesilie Jones, viola. Student Centre Budo Tomović, Podgorica (former Titograd), Montenegro.
* Two Movements for 13 Strings Symphonic Orchestra Radio Television Titograd, under the baton of Silviu Pantiru. Soloists: Vili Ferdinandi, violin, Gabriela Pantiru, violin, Sesilie Jones, viola, Uroš Nastić, cello and Pavel Aksamit, double bass. Student Centre Budo Tomović, Podgorica (former Titograd), Montenegro.
* Chromatic Impressions (string quartet). Goran Kentera, Violin, Jasenka Tomić, violin, Sesilie Jones, viola and Mladen Nastić, cello. Student Centre Budo Tomović, Podgorica (former Titograd), Montenegro.
* Piano Sonata Gordana Petrović, piano. Teatro A. Candusio, Rovinj (Rovigno), Croatia; Student Centre Budo Tomović, Podgorica (former Titograd), Montenegro.
* Two Movements for Piano Ljiljana Jovanović, piano. Student Centre Budo Tomović, Podgorica (former Titograd), Montenegro.
* Piano Sketches Ljiljana Jovanović, piano. Cultural Centre Studentski grad, Belgrade, Serbia.
* Little Philosopher (for soprano and piano). Natalija Marjanović, soprano and Ljiljana Jovanović, piano. Cultural Centre Studentski grad, Belgrade, Serbia.
2023
* Lament (for violin, electronic sound, musique concrète and video). Virtual concert at https://www.youtube.com/watch?v=6V1ge_uJkso
* Intersegmental 38: 8282/38 (for soprano and guitar), An die Musik LIVE!, Baltimore, Maryland.
* Intersegmental 38: Back (for gayageum, guitar and piano), An die Musik LIVE!, Baltimore, Maryland
* Let It Be Said: Awake, Thanks!, Subliminal (for female and male performers, clarinet in A and vibraphone) Le Mondo, Baltimore, Maryland. (2 performances)
* Let It Be Said: Awake, Thanks!, Subliminal (for female and male performers, clarinet in A and vibraphone) The Writer's Center, Bethesda, Maryland.
2021- 2022
* Ceci n'est pas une pipe - Revisited (for flute and palimpsest of texts in English, Serbian and German). Pre-recorded media, Slobodanka Stupar and Ljiljana Becker, narrators. Partial text from Blue Rose by Miroslav Mandić. Virtual Concert at www.baltimorecomposersforum.com/concerts/miniatures-take-two
* Ceci n'est pas une pipe - Revisited (for flute and palimpsest of texts in English, Serbian and German). Pre-recorded media, Slobodanka Stupar and Ljiljana Becker, narrators. Partial text from Blue Rose by Miroslav Mandić. Goethe-Institut Belgrade, Wechselstube Galerie, Knez Mihailova 50, Belgrade, Serbia.
* Yellow Rose: Intro for Boba (for solo flute). Pre-recorded media. Goethe-Institut Belgrade, Wechselstube Galerie, Knez Mihailova 50, Belgrade, Serbia.
* John Dory (for solo viola). Kimia Hesabi, viola. Virtual concert at www.baltimorecomposersforum.com/concerts/i-want-to-be-left-alone
* My Suitcase (for mezzo soprano, baritone, and piano) Text by Juanita Rockwell. Elise Christina Jenkins, mezzo soprano, Jason Buckwalter, baritone, Bonghee Lee, piano. Virtual concert at www.baltimorecomposersforum.com/concerts/sonitus
* All Around (excerpt) {part V of Migrations}(for one performer, violin, clarinet, and piano). Commissioned and performed by Trio Musai (Annette Maye, clarinet, Malina Mantcheva, violin and Dušica Cajlan-Wissel, piano) and Hannah Niewand, performer. Virtual concert at www.baltimorecomposersforum.com/concerts/vignettes
2019- 2020
* White Noise (pre-recorded text, electronic sound, musique concrète and sound effects) Choreography by Adrienne Kraus Latanishen. Anastasia McKenzie, Nasir Powell and the CCBC Fall 2020 Improv Class, dance.
Virtual concert at www.baltimorecomposersforum.com/concerts/sound-in-motion-vi
* B(rushed) Moment (for children voices, electric toothbrush, and video).
Sasha, Mila and Ljiljana Becker, voices. Videography by Ljiljana Becker.
Virtual concert at www.baltimorecomposersforum.com/concerts/miniatures-concert
* Memory (for oboe, one dancer, and three mothers). Text by E. Alex Pierce. Chris Roberts, Melissa Lindon and Ljiljana Becker, narrators. Choreography and dance Adrienne Kraus Latanishen. St. Matthew Catholic Church, Baltimore, Maryland.
* The Suitcase/Der Koffer (Lament, ...deswegen, weil, White Noise, My Suitcase for mezzo soprano/performer, alto saxophone, piano, pre-recorded text, electronic sound, musique concrète, and sound effects). Libretto by Juanita Rockwell. Scenography and puppets by Allison Campbell. Chris Roberts, mezzo soprano and Duo Crveno (Georg Wissel, alto sax and Dušica Cajlan-Wissel, piano). Children readers: Anastasia Anastasopoulu, Sasha and Mila Becker, Ekaterina Gozhelova, Sophie Levine, Minja and Viktor Luković, John and James Wentzel, Tara and Luka Wissel. Towson University, Dreyer MFA Group Studio, Towson, MD; REP Stage, Monteabaro Recital Hall, Columbia, MD; An die Musik LIVE!, Baltimore, MD; Georgetown Day School, High School Campus, Washington, DC; Howard University, Childers Recital Hall, Washington, DC.
* Modi'in {part I}(for two dancers) Choreography by Adrienne Kraus Latanishen. Adrienne Kraus Latanishen and Maya Hand, dancers. Pre recorded sound. District New Music Coalition's New Music DC 2019, Washington, DC.
2017 - 2018
* Shelter within a Shelter {part IV of Migrations} (for two dancers, Glockenspiel, musique concréte, and electronic sound). Choreography by Adrienne Kraus Latanishen. Adrienne Kraus Latanishen and Molly Jean Kirkup Heer, dancers. St. Matthew Catholic Church, Baltimore, Maryland.
* TBD [Moving Macbeth] (for piano and text). Text by Ljiljana Jovanović. Bonghee Lee, piano. Corner Community Center, Baltimore, Maryland.
* Memory (orchestral version for oboe and one narrator). Text by E. Alex Pierce. Emily Snyder, oboe and Brooke Emery, narrator. Christ Lutheran Church Inner Harbor, Baltimore, Maryland.
* Music Director and pianist for Cabaret [revival 1988], directed by Julie Herber. Inscape Theatre, Greenspring Campus at Stevenson University, Stevenson, Maryland.
* John Dory (solo violin). Heather Haughn, violin. Christ Lutheran Church Inner Harbor, Baltimore, Maryland.
* Modi'in (abstract radiophonic form). Third Program Radio Belgrade, Serbia.
2015 - 2016
* Cycles (orchestral version for tenor and piano). Joseph Regan, tenor and Tim Reynolds, piano. Christ Lutheran Church Inner Harbor, Baltimore, Maryland.
* A Trailer (for brass quintet). The Lyric Brass Quintet (Kevin Dines, trumpet, Christopher Shiley, trumpet, Larry Williams, French horn, Milton Aldana, trombone and Andrew Spang, tuba). An die Musik, Baltimore, Maryland.
* Marimba Hike (for marimba). Steven Monath, marimba. An die Musik, Baltimore, Maryland.
* Participant in New Roots, documentary, directed by Exsul Van Helden.
2013 - 2014
* Memory (orchestral version for oboe, one performer, one mother. and three kōken). Text by E. Alex Pierce, directed by Chris Roberts. Emily Snyder, oboe, Anna and Kelly Llobet, performers and Rodolfo and Ignatius Llobet, kõken. An die Musik, Baltimore, Maryland
* Shelter within a Shelter {part IV of Migrations} (orchestral version for Glockenspiel, musique concréte, and electronic sound). Chris Graham, Glockenspiel (Iktus Percussion). An die Musik, Baltimore, Maryland.
* Memory (for oboe, two dancers, and three mothers). Text by E. Alex Pierce, choreography by Lauren Withhart. Adrienne Kraus Latanishen and Anna Llobet, dancers; Kelly Llobet, Lauren Withhart and Ljiljana Jovanović, narrators and Alison Lowell, oboe. EMP, Baltimore, Maryland.
* All Around {part V of Migrations}(for one performer, violin, clarinet, and piano). Commissioned and performed by Trio Musai (Annette Maye, clarinet, Malina Mantcheva, violin and Dušica Cajlan-Wissel, piano) and Anna Llobet, performer. Lobby of the Inscape Theatre, Stevenson University, Stevenson, Maryland.
* All Around {part V of Migrations}(for one performer, violin, clarinet, and piano). Commissioned and performed by Trio Musai (Annette Maye, clarinet, Malina Mantcheva, violin and Dušica Cajlan-Wissel, piano) and Anna Llobet, performer. An die Musik, Baltimore, Maryland.
* All Around {part V of Migrations} (for one performer, violin, clarinet, and piano), Commissioned and performed by Trio Musai (Annette Maye, clarinet, Malina Mantcheva, violin and Dušica Cajlan-Wissel, piano) and Ljiljana Jovanović, performer. Childers Recital Hall, Howard University, Washington D.C.
* Sarkoy (for soprano saxophone and harp). Pictures on Silence duo (Jacqueline Polauf, harp and Noah Getz, sax). An die Musik, Baltimore, Maryland. [two performances 2013/14]
* TBD [Moving Macbeth] (for piano and text). Commissioned and performed by Ruth Rose. Text by Ljiljana Jovanović. An die Musik, Baltimore, Maryland.
* Triptych {part II of Migrations} (for clarinet quartet and percussion). Commissioned and performed by Sonora Ensemble (Lynda Dembowski, E-flat and B-flat clarinet, Edna Huang, B-flat clarinet, Karen Hopkinson, B-flat and bass clarinet, Greg Herron, percussion). Visual design in partial collaboration with visual artist Slobodanka Stupar. An die Musik, Baltimore, Maryland.
2011 - 2012
* TBD [Moving Macbeth] (for piano and text). Commissioned and performed by Ruth Rose. Text by Ljiljana Jovanović. An die Musik, Baltimore, Maryland.
* All Around {part V of Migrations}(for one performer, violin, clarinet, and piano). Commissioned and performed by Trio Musai (Annette Maye, clarinet, Malina Mantcheva, violin and Dušica Cajlan-Wissel, piano) and Hanna Wissel, performer. Musica Nova, Spendhaus, Reutlingen, Germany.
* Le (deuxieme) rêve (for six dancers, two performers, text, musique concréte, and electronic sound), choreography by Lynne Price. Text by Ljiljana Jovanović. Rachel Boss, Brittany Grant, Clarissa Gregory, Melissa Talleda, Erin Reid and Lily Susskind, dancers and Lynne Price and Rodolfo Llobet, performers. Theatre Project, Baltimore, Maryland.
* Cycles (orchestral version for baritone, piano, and percussion). Jason Buckwalter, baritone and Andrew Stewart, piano and percussion. Ennoch Pratt Parish Hall, Baltimore, Maryland.
* Ένα φραπέ σκέτο λίγο γάλα (for baritone/narrator and pianist/performer), text in collaboration with Anna Maria Delinasiou. Jason Buckwalter, baritone and Andrew Stewart, piano. Ennoch Pratt Parish Hall, Baltimore, Maryland.
* Illumina (for flute and piano), lyrics Donna genovese (Dino Campana) and Изгряла е месечинка (The Moon Has Risen) Bulgarian folk song. Andrea Ceccomori, flute and Elitza Harbova, piano. An die Musik, Baltimore, Maryland.
2009 - 2010
* Ένα φραπέ σκέτο λίγο γάλα (for baritone/narrator and pianist/performer), text in collaboration with Anna Maria Delinasiou. Jason Buckwalter, baritone and Andrew Stewart, piano. An die Musik, Baltimore, Maryland.
* Le rêve (for three dancers, one performer, musique concréte, and electronic sound), choreography by Lynne Price. Rachel Boss, Camille Lattimore and Lily Susskind, dancers and Chris Reed, performer. Free Fall Baltimore Festival. The Creative Alliance at the Patterson, Baltimore, Maryland.
* All Around {part V of Migrations} (for one performer, violin, clarinet, and piano). Commissioned and performed by Trio Musai (Annette Maye, clarinet, Malina Mantcheva, violin and Dušica Cajlan-Wissel, piano) and Ljiljana Jovanović, performer. Musik Triennale Köln: "HEIMAT - HEIMATLOS" . KOMED-Saal, Cologne, Germany; Trio Musai and Hanna Wissel, performer. Gedok, Köln, Klaviere Then, Cologne, Germany.
* Of Chance and Happenstance (for four dancers, percussion, el. guitar, and narrated texts), collaboration with composer Keith Kramer, choreography by Lynne Price. Melissa Talleda, Lily Susskind, Jenny Berkowitz and Jenny Lucy, dancers and Ljiljana Jovanović (piano) and Keith Kramer (el. guitar), narrators. Load of Fun Theatre (LOF/t), Baltimore, Maryland.
* Music Director and pianist for Once Upon a Mattress, directed by Chris Roberts. Inscape Theatre, Stevenson University, Stevenson, Maryland.
* Sarkoy (for soprano saxophone, and harp). Commissioned and performed by Pictures on Silence duo (Jacqueline Pollauf, harp and Noah Getz, saxophone). An die Musik, Baltimore., Maryland.
* Of Chance and Happenstance (for four dancers, piano, percussion, guitar, horn, and synthesizer), collaboration with composers Keith Kramer and Ariyo Shahry, choreography by Lynne Price. Melissa Talleda, Lily Susskind, Jenny Berkowitz and Jenny Lucy, dancers; Ljiljana Jovanović, piano and percussion, Keith Kramer, el. guitar and Ariyo Shahry, French horn and synthesizer. Free Fall Baltimore Festival. Baltimore Museum of Art, Baltimore, Maryland.
* Clean Sound (for piano) Ljiljana Jovanović, piano. Free Fall Baltimore Festival. Baltimore Museum of Art, Baltimore, Maryland.
* Music Director and pianist for The Threepenny Opera, directed by Chris Roberts. Inscape Theatre, Stevenson University, Stevenson, Maryland.
* Cycles (for two dancers, soprano, piano, and percussion), choreography by Sonia Synkowski. Sarah Anne Austin and Lauren Withhart, dancers and Kelly Fuller, soprano and Ljiljana Jovanović, piano. The Creative Alliance at the Patterson, Baltimore, Maryland.
* Shelter within a Shelter {part IV of Migrations} (for two dancers, Glockenspiel, musique concréte, and electronic sound), choreography by Sonia Synkowski. Jessica Fultz and Stacey Tutler, dancers and Greg Herron, Glockenspiel. The Creative Alliance at the Patterson, Baltimore, Maryland.
2007 - 2008
* Shelter within a Shelter {part IV of Migrations} (for two dancers, Glockenspiel, musique concréte, and electronic sound), choreography by Sonia Synkowski. Amanda Fair and Stacey Tytler, dancers and Greg Herron, Glockenspiel. Free Fall Baltimore Festival. Baltimore Museum of Art, Baltimore, Maryland.
* Music Director and pianist for Cabaret, directed by Chris Roberts. Inscape Theatre, Villa Julie College, Stevenson, Maryland.
* Triptych {part II of Migrations} (for clarinet quartet and percussion). Commissioned and performed by Sonora Ensemble (Benjamin Redwine, E-flat clarinet, Edna Huang and Lynda Dembowski, B-flat clarinets, Phyllis Crossen-Richardson, bass clarinet and Greg Herron, percussion). Visual design in partial collaboration with visual artist Slobodanka Stupar. An die Musik, Baltimore, Maryland.
* Music Director and pianist for Oh! What a Lovely War, directed by Chris Roberts. Inscape Theatre, Stevenson University, Stevenson, Maryland.
2005 - 2006
* The Fifth Mirror {part III of Migrations as well as the final, fifth part of The Mirror} (for one performer and electronic sound). Ljiljana Jovanović, performer. An die Musik, Baltimore, Maryland.
* Triptych {part II of Migrations} (for clarinet quartet and percussion). Commissioned and performed by Sonora Ensemble (Benjamin Redwine, E-flat clarinet, Edna Huang and Lynda Dembowski, B-flat clarinets, Phyllis Crossen-Richardson, bass clarinet and Greg Herron, percussion). Visual design in partial collaboration with visual artist Slobodanka Stupar. Ars Viva Concert Series, Goucher College, Baltimore, Maryland.
* Tritonus {part I of Migrations} (for two [narrators/Tritonus] performers, percussion, piano, and string trio), in collaboration with the composer Stephen Makofski. Anna Maria Delinasiou and Ljiljana Jovanović, performers, Joanna Dabrowska, percussion, Kyoko Fujiwara, piano, Letitia Nyirjesy, violin, Louise Hildreth-Grasso, viola and Erika Bubnash, cello. An die Musik, Baltimore, Maryland.
2003 - 2004
* A Fraction Before, (text) commissioned by Stephen Makofski as part of his music score for American Symphonic Clarinet Choir. Montgomery Station Performance Hall, Silver Spring, Maryland.
* A Fraction Before (text) commissioned by Stephen Makofski as part of his music score for American Symphonic Clarinet Choir. An die Musik, Baltimore, Maryland.
* Musical Director and pianist for Working, directed by Mary Hardcastle. Inscape Theatre, Stevenson University, Stevenson, Maryland.
* Original music for Movin' Macbeth, Avalon Theatre of e/Motion production, adapted, directed and choreographed by Andrew T. Carter. Regina Contursi, Laura Walczak and Chrisa Yfantopoulos, vocalists, John Dresher, percussion and Ljiljana Jovanović, piano. HERE Arts Center, New York.
* About Descends (text) commissioned by Stephen Makofski as part of his music score commissioned by The Arioso Trio. The Creative Alliance, Baltimore, Maryland.
* Sound design for The Green Stockings, Tsunami Theatre production, directed by Naoko Maeshiba. Bethesda Writers Center, Bethesda, Maryland.
* Recording pianist for The Dazzle, Rep Stage production, sound design by Chas Marsh. Rep Stage, Columbia, Maryland.
* Original music for Munch 'n Macbeth, Avalon Theatre of e/Motion production, directed and choreographed by Andrew T. Carter. Ljiljana Jovanović, piano. Potomac Lounge/Susquehanna Cafeteria, Towson University, Towson, Maryland.
* See, Enjoy, Continue (for violin and guitar). Heide Sibley, violin. La Cave, Le Mans, France.
2001 - 2002
* Running Music (conceptual three-part installation performance for five narrators/performers and piano). Eddie Catto, Gabriel Walker, Matthew Sahr, Andrew Carter and Ljiljana Jovanović (piano) narrators. Center for the Arts, Towson University, Towson, Maryland.
* Original music for The Yellow Wallpaper, adapted and directed by Chris Roberts. Inscape Theatre, Stevenson University, Stevenson, Maryland.
* Original music for Domestic Violence, first chapter of a web based project The Baltimore Book of the Dead, collaboration with theatre artist Edie Catto. (as of 2004 web site not available)
* Sound design for The Agreement, O3P production, directed by mj Perrin. Studio Theatre, Towson University, Towson, Maryland.
* Participant in Women Between Worlds, multi-disciplinary and multi-cultural documentary, directed by Exsul Van Helden. Stevenson University [former Villa Julie College] and Sky Productions. (http://wbw.vjc.edu/ljiljana.htm)
* Original music for Indians, directed by John Manlove. Main Stage, Towson University, Towson, Maryland.
1998 - 2000
* Bread, Salt and Basil (for violin and electronic keyboard), William Elsevier, violin and Ljiljana Jovanović, electronic keyboard. Visual images by Dominique Pelletey, scenography by Edie Catto, and lighting design by Mark Fink. Center for the Arts, Towson University, Towson, Maryland.
* Sound accompaniment for Forlorn (for flute) by Stephen Makofski. Center for the Arts, Towson University, Towson, Maryland.
* Original music for Persistence of Vision, written and directed by Tom Brandau. Studio Theatre, Towson University, Towson, Maryland.
* Sound design for Queer Cafe 2000 and Bad Beans, Pussycat Theatre Company productions, both directed by Susan Lev. Theatre Project Baltimore, Baltimore, Maryland.
*Participant in making of Heartfield web site. (www.towson.edu/heartfield/reviews/Jovanovi.html)
* Brain in Waiting (for two narrators, flute, three violins, and piano), narrative collaboration with writer Alex Pierce. Rachel Podger and Philippe Bodin, narrators, Sarah Bastin, flute, Heide Sibley, Rebecca van der Post and Julia Wedman, violins and Laura Csik, piano. Rice Studio and The Rolston Hall, The Banff Centre for the Arts, Banff, Canada.
* Snake Cake (six parts for violoncello). Carina Reeves, cello. The Club, The Banff Center for the Arts, Banff; Monica Scott, cello. Community Music Center, San Francisco, California.
* Rare Fish (for violin). Rebecca van der Post, violin. The Club, The Banff Center for the Arts, Banff, Canada.
* The Game (for violin, cello, and piano). Julia Wedman, violin, Alexa Muhly, cello and Sarah Hagen, piano. The Club, The Banff Center for the Arts, Banff, Canada.
1996 - 1997
* A Cage (for violin and harp). Heide Sibley, violin and Stéphanie Manzo, harp. Museu do Chiado, Lisbon; Salão Nobre da Faculdade de Economia, Lisbon; Palácio do Beau Séjour, Lisbon; Museu da Música, Lisbon; Audit. Bombeiros Voluntários, Pinhal-Novo; Museu Condes Castro Guimarães, Cascais. (all in Portugal)
* Silent Mirror {part IV of The Mirror} (for one performer and tape). Ljiljana Jovanović, performer. Art Cafe "Galerija", Novi Sad, Serbia.
* Der Spiegel/Circled Square {part III of The Mirror} (for two performers and tape). Dušica Cajlan-Wissel and Petar Marinović, performers. Büro für Architektur und Plannung, Witten, Germany.
* Five Photographs (for violin and violoncello). Heide Sibley, violin and Monica Scott, cello. Palácio do Beau Séjour, Lisbon; Galeria de S. Mamede, Lisbon; Auditorio do Montepio, Lisbon; Espaço Oikos, Lisbon; Galeria Verney-Oeiras, Lisbon; Museu Condes Castro Guimarães, Cascais. (all in Portugal)
1994 - 1995
* The Game (for violin, violoncello, and piano). Rebecca van der Post, violin, Jozef Luptak, cello and Maria Antonia Garcia, piano. Holywell Music Room, Oxford, England.
* Participant in The Creator ("pro-active, mentoring and cross-cultural" TV program profiling Women in the Arts), CreateHer Productions Inc., WTN 1995/96 season. Vancouver, British Columbia, Canada.
* Piano transcription of children's opera Expedition zur Erde by Bernhard König. Hans Otto Theater, Potsdam, Germany.
* Zoe 1, 2 (for two narrators, oboe, guitar, and contrabass). Živojin Maksimović and Sonja Maksić, narrators, Vesna Jakimovski, oboe, Ceca Madžarević, guitar and Thomas Siebenkotten, double bass. Rathaus-Spanischer Bau, Cologne, Germany.
* Square Circle (video archive of 1994 Banff performances). Rathaus-Spanischer Bau, Cologne, Germany.
* Der Spiegel {part II of The Mirror} (for two performers and tape). Slobodanka Stupar and Ljiljana Jovanović, performers. Simultan Halle, Cologne, Germany.
* Vavilon (for five narrators [nine languages], piano, and guitar). Gena Lvov (piano), Ela Sobańska, Georg Wissel, Tatjana Kukoč (guitar) and Ljiljana Jovanović, narrators. Loft, Cologne, Germany.
* ...deswegen, weil... (for one performer and soprano sax/violin). Dušica Cajlan, performer and Georg Wissel, soprano sax. Loft, Cologne, Germany; Maria Antonia Garcia, performer and Thomas Norris, violin. Margaret Greenham Theatre, Banff Center for Arts and Creativity, Banff, Canada.
* Denken an P (for piano). Dušica Cajlan, piano. Loft, Cologne, Germany.
* Some of the Steps A, B (for guitar trio). Commissioned and performed by Trio de Cologne. (Laura Young, Zoran Dukić and Ceca Madžarević). Loft, Cologne, Germany and Montreal, London, Toronto, Ottawa, Canada. (broadcasted by CBS)
* Babylon (for six narrators [eleven languages], harpsichord, violoncello, kalimba, and Japanese bell). Pavel Matys (harpsichord), Monica Scott (cello), Hasse Örn (kalimba), Elsa Lee (Japanese bell), Laurent Perrin and Ljiljana Jovanović, narrators. Margaret Greenham Theatre, Banff Center for Arts and Creativity, Banff, Canada.
* The Rare Fish (for violin). Rebecca van der Post, violin. The Other Gallery, Banff Center for Arts and Creativity, Banff, Canada.
* The Mirror {part I of The Mirror} (for one performer and tape). Heide Sibley, performer. The Other Gallery, Banff Center for Arts and Creativity, Banff, Canada.
* Marimba Hike (for marimba). Elsa Lee, marimba. The Other Gallery, Banff Center for Arts and Creativity, Banff, Canada.
* Five O'clock Tea (for two performers and trombone). Isobel Rolston and Anne-Gaelle Ravetto, performers, Douglas Mark, trombone. Roubakine Hall, Banff Center for Arts and Creativity, Banff, Canada.
* In an Old-Fashioned Style (for violoncello). Jozef Luptak, cello and Ljiljana Jovanović, cello. Roubakine Hall, Banff Center for Arts and Creativity, Banff, Canada.
1992-1993
* Zoe 1, 2 (for two narrators, oboe, guitar, and contrabass). Živojin Maksimović and Sonja Maksić, narrators, Vesna Jakimovski, oboe, Ceca Madžarević, guitar and Thomas Siebenkotten, double bass. Rheinische Musikhochschule, Cologne, Germany.
* Ceci n'est pas une pipe (communication project - live talk with the viewers, improvisational narration and excerpts from Miroslav Mandić's book Blue Rose), collaboration with visual artist Slobodanka Stupar. Quantenpool Köln part of Documenta IX 's Piazza Virtuale TV project, live transmission on TV Kassel and 3sat. Moltkerei Werkstatt, Cologne, Germany.
1989-1991
* A Ballett Lesson? (for two dancers, bass clarinet, and piano), Peter Jürgens and Robert Schmidt, dancers, Olaf Bittner, bass clarinet and Sybile Strate, piano. Choreography by Phong Bui. Komponieren Heute - Avangarde versus Postmoderne part of Rheinisches Musikfest. Rheinische Musikhochschule Cologne recorded by WDR Rundfunk; Hochschule für Musik Hanns Eisler, Berlin; Koninklijk Conservatorium, Den Haag, Holland.
* Mondrian pour étude (for three performers, viola, trumpet, conga, guitar, and soprano). Ina von Dreusche, Gabriele Moes, Corinna Vogel, performers, Panta Veličković, viola, Andreas Form, trumpet, Martin Piechotta, conga, Oliver Kresse, guitar and Sonja Maksić, soprano. Lighting by Bettina Klinkig. Rheinische Musikhochschule, Cologne, Germany
* Denken an P (for piano). Ljiljana Jovanović, piano. Rheinische Musikhochschule, Cologne; Schloss Warneck; Musikzentrum Würzburg; Musikschule Obenburg. (all in Germany)
* Time Connections (for violin, bassoon, piano, and musique concrète). Uli Müller-Bechtel, violin, Johannes Rupe, bassoon and Ljiljana Jovanović, piano. Rheinische Musikhochschule, Cologne; Christoph Eßwein, violin, Stefan Hüfner, bassoon and Ljiljana Jovanović, piano. Hochschule für Bildende Künste, Stuttgart, Germany.
* Gate of the East (for celeste, harp, and four percussion instruments). Ljiljana Jovanović, celeste, Günda Schulz, harp, and Percussion Ensemble Stuttgart under the baton of Klaus Treßelt. Musica Nova concert part of 2. Tonkünstlerfest Baden-Würtemberg. Studio Landesgirokasse, Stuttgart, Germany
1984-1988
* Piano Sonatina Dušica Cajlan, piano. Student Centre Budo Tomović, Podgorica (former Titograd), Montenegro.
* Silentio e parole (for soprano and piano). Ljiljana Antonijević, soprano and Ljiljana Jovanović, piano. Student Centre Budo Tomović, Podgorica (former Titograd), Montenegro.
* Viola Sonata Sesilie Jones, viola. Student Centre Budo Tomović, Podgorica (former Titograd), Montenegro.
* Two Movements for 13 Strings Symphonic Orchestra Radio Television Titograd, under the baton of Silviu Pantiru. Soloists: Vili Ferdinandi, violin, Gabriela Pantiru, violin, Sesilie Jones, viola, Uroš Nastić, cello and Pavel Aksamit, double bass. Student Centre Budo Tomović, Podgorica (former Titograd), Montenegro.
* Chromatic Impressions (string quartet). Goran Kentera, Violin, Jasenka Tomić, violin, Sesilie Jones, viola and Mladen Nastić, cello. Student Centre Budo Tomović, Podgorica (former Titograd), Montenegro.
* Piano Sonata Gordana Petrović, piano. Teatro A. Candusio, Rovinj (Rovigno), Croatia; Student Centre Budo Tomović, Podgorica (former Titograd), Montenegro.
* Two Movements for Piano Ljiljana Jovanović, piano. Student Centre Budo Tomović, Podgorica (former Titograd), Montenegro.
* Piano Sketches Ljiljana Jovanović, piano. Cultural Centre Studentski grad, Belgrade, Serbia.
* Little Philosopher (for soprano and piano). Natalija Marjanović, soprano and Ljiljana Jovanović, piano. Cultural Centre Studentski grad, Belgrade, Serbia.